The unlucky many that missed last Saturday’s brain-piercing show at the Market Hotel can experience the night’s most colorful remnants through Austin Rhodes’ high-speed, 11-minute silent film titled April 18th-April 19th: Silent Uncut.

The film’s detail-oriented, slice-of-humanity focused editing, makes it feel like you’re watching the visions in someone’s mind on a projection screen as they recall a long night of heavy drinking and live music… memory lapses included. As events unfold, Rhodes follows familiar faces from one venue to another, hopping from an acoustic open mic to a live show by the Marionettes of Satan (complete with white monk robes), followed by a last call brigade at Goodbye Blue Monday.

If the filmmaker’s goal is to reflect reality — our nervous facial expressions when we talk, the useless objects that draw our stares — then Rhodes did a hell of a job and made it all look so beautiful, so “worth the pain” and without a single sound. When the film ended I found myself asking “who lives these lives?” only to realize that our neighbors, our friends, live these lives. We live these lives.